![]() Upper Volta achieved independence on 5 August 1960. Upper Volta became an autonomous republic in the French community on 11 December 1958. This act was followed by reorganisational measures approved by the French parliament early in 1957 that ensured a large degree of self-government for individual territories. Ī revision in the organisation of French overseas territories began with the passage of the Basic Law (Loi Cadre) of 23 July 1956. Violating these regulations could land parents in jail. For example, African children were not allowed to ride bicycles or pick fruit from trees, "privileges" reserved for the children of colonists. The indigenous population is highly discriminated against. After World War II, the Mossi renewed their pressure for separate territorial status and on 4 September 1947, Upper Volta became a French West African territory again in its own right. In 1932, the new colony was dismembered in a move to economise it was reconstituted in 1937 as an administrative division called the Upper Coast. In 1919, certain provinces from Upper Senegal and Niger were united into a separate colony called the Upper Volta in the French West Africa federation. ![]() When the French arrived and claimed the area in 1896, Mossi resistance ended with the capture of their capital at Ouagadougou. For centuries, the Mossi peasant was both farmer and soldier, and the Mossi people were able to defend their religious beliefs and social structure against forcible attempts to convert them to Islam by Muslims from the northwest. Until the end of the 19th century, the history of Upper Volta was dominated by the empire-building Mossi/ Mossi Kingdoms, who are believed to have come up to their present location from present-day Northern Ghana. Missionary Sisters of Our Lady of Africa at a dispensary in Toma, 1920s The river is divided into three parts, called the Black Volta, White Volta and Red Volta. The name Upper Volta indicates that the country contains the upper part of the Volta River. On 4 August 1984, the name was changed to Burkina Faso. On 11 December 1958, it was reconstituted as the self-governing Republic of Upper Volta within the French Community, and two years later on 5 August 1960, it attained full independence. The colony was dissolved on 5 September 1932, with parts being administered by the Côte d'Ivoire, French Sudan and the Colony of Niger.Īfter World War II, on 4 September 1947, the colony was revived as a part of the French Union, with its previous boundaries. It was formed from territories that had been part of the colonies of Upper Senegal and Niger and the Côte d'Ivoire. Upper Volta ( French: Haute-Volta) was a colony of French West Africa established in 1919 in the territory occupied by present-day Burkina Faso. Threshing African rice in Banfora Department, 1931
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![]() Despite its simplicity, we show that the ConvMixer outperforms the ViT, MLP-Mixer, and some of their variants for similar parameter counts and data set sizes, in addition to outperforming classical vision models such as the ResNet. Rules define what are legal moves and what arent (even Calvinball, which just doesnt have the same rules all the. And Yet It Moves - v1.1. ![]() In contrast, however, the ConvMixer uses only standard convolutions to achieve the mixing steps. And Yet It Moves is a puzzle-platformer, set in a unique world, made of ripped paper. Patch 1.1.1 fr And Yet It Moves (gekauft von der Broken Rules-Website)-tweaked script performance in general -improved performance of pulsating objects -some pulsating objects pull the player. This raises a question: Is the performance of ViTs due to the inherently-more-powerful Transformer architecture, or is it at least partly due to using patches as the input representation? In this paper, we present some evidence for the latter: specifically, we propose the ConvMixer, an extremely simple model that is similar in spirit to the ViT and the even-more-basic MLP-Mixer in that it operates directly on patches as input, separates the mixing of spatial and channel dimensions, and maintains equal size and resolution throughout the network. Learn how to apply the physical consequences of rotation to master the many tricky situations you may encounter. Within the paper-collage you can jump, run and last but certainly not least: rotate the world. However, due to the quadratic runtime of the self-attention layers in Transformers, ViTs require the use of patch embeddings, which group together small regions of the image into single input features, in order to be applied to larger image sizes. And Yet It Moves is a puzzle-platformer, set in a unique world, made of ripped paper. And Yet It Moves Wii - Gamescom: Release Trailer. Depending on how many Feathers were spent, the move will increase in power and gain. Abstract: Although convolutional networks have been the dominant architecture for vision tasks for many years, recent experiments have shown that Transformer-based models, most notably the Vision Transformer (ViT), may exceed their performance in some settings. Now available for download in the North American Wii Shop Channel, coming to Europe August 27. Rising Power Using Red Neutral Special will spend all of Zhurongs feathers. TIMI, thrombolysis in myocardial infarction grading system.NIHSS, National Institutes of Health stroke scale.When recanalisation is partial the Mori classification is more refined in giving prognostic information. In both TIMI and Mori grading systems, reopening the artery was an independent predictor of a favourable clinical outcome (p50% (Mori 3) than in those with reperfusion <50% (Mori 2) (p = 0.008).Ĭonclusions: Both TIMI and Mori grading systems are useful for predicting outcome after stroke and IAT. Recanalisation was categorised as TIMI grade 0 in 17 patients (12%), TIMI 1 in 16 (11%), TIMI 2 in 83 (56%), and TIMI 3 in 31(21%). After three months the outcome was favourable (defined as modified Rankin scale score (mRS) ⩽2) in 85 patients (58%) and poor (mRS 3 to 5) in 44 (30%) 18 patients (12%) were dead. Results: The median NIHSS score on admission was 15 and the mean time from symptom onset to IAT was 242 minutes. Associations of the thrombolysis in myocardial infarction (TIMI) grading system and the Mori grading system with clinical outcome were compared. Methods: Clinical and angiographic findings and outcome were analysed in 147 patients with M1 or M2 segment occlusion of the middle cerebral artery treated with IAT. Background: Different grading systems of arterial recanalisation have never been compared in large series of stroke patients treated with intra-arterial thrombolysis (IAT). It was released in 2017 (Europe) by Columbia. Have you tried searching for other topics? Some examples of topics searched by other users include you download song, smoking and going to church, prefer being alone, kool aid, and aspca you dirty mut.įreedom is a(n) hip hop song recorded by and features Pharrell Williams (Pharrell Lanscilo Williams) for their album titled Despicable Me 3 (Original Motion Picture Soundtrack). The Wonderful Thing About Tiggers - From "Winnie the Pooh and the Blustery Day"/Soundtrack Version is likely to be acoustic. Around 15% of this song contains words that are or almost sound spoken. The Wonderful Thing About Tiggers - From "Winnie the Pooh and the Blustery Day"/Soundtrack Version is is great for dancing to along with its extremely delighted mood. The key is in C Major in the tempo of 83 BPM and set to the volume of -10 dB. The Wonderful Thing About Tiggers - From "Winnie the Pooh and the Blustery Day"/Soundtrack Version is a song recorded by and features Tigger for their album titled The Sherman Brothers Songbook. Have you tried searching for other topics? Some examples of topics searched by other users include feelings of a friend committing suicide, shooting himself song, fighting, growing old love doesn't, and to come alive songs. The Yodeling Veterinarian Of The Alps is likely to be acoustic. The Yodeling Veterinarian Of The Alps is is great for dancing to along with its happy mood. ![]() ![]() The key is in G♯ Major in the tempo of 135 BPM and set to the volume of -7 dB. The Yodeling Veterinarian Of The Alps is a song recorded by and features VeggieTales for their album titled And Now It's Time For Silly Songs With Larry (The Complete Collection/20th Anniversary Edition). Have you tried searching for other topics? Some examples of topics searched by other users include exes & ex-girlfriends rankerranker list ranker-metal, child killer, flying away to heaven, death moe, and never getting good from bad clean.įind Similar Songs Get BPM and Key Play on Spotfy You can also find concert tickets and details. The Lonely Island) is unlikely to be acoustic.įor more information on this song or artist, check out SoundCloud or Last.fm. ![]() The Lonely Island) is is great for dancing to along with its joyful mood. The key is in G♯ Major in the tempo of 148 BPM and set to the volume of -3 dB.Įverything Is AWESOME!!! (feat. The Lonely Island) is a song recorded by and features Tegan and Sara for their album titled The Lego Movie (Original Motion Picture Soundtrack). ![]() Have you tried searching for other topics? Some examples of topics searched by other users include an ex dying, youvjust not loving him anymore, a hometown band song youtube, kindness preschool, and wife pegi.Įverything Is AWESOME!!! (feat. Can You Really Call This A Hotel, I Didn't Receive A Mint On My Pillow Or Anything is unlikely to be acoustic.įor more information on this song or artist, check out SoundCloud or Last.fm. Around 4% of this song contains words that are or almost sound spoken. The key is in F♯ Major in the tempo of 128 BPM and set to the volume of -10 dB.Ĭan You Really Call This A Hotel, I Didn't Receive A Mint On My Pillow Or Anything is is great for dancing to along with its extremely delighted mood. Your browser does not support the audio element.Ĭan You Really Call This A Hotel, I Didn't Receive A Mint On My Pillow Or Anything is a song recorded by and features Toby Fox for their album titled UNDERTALE Soundtrack. The major nerve supply that runs through the hip joint is the femoral nerve and the sciatic nerve. The musculature of the hip is divided into anterior hip muscles and posterior hip muscles. The pelvic bone, also known as the innominate bone, is formed by three bones fused together: the ilium, ischium, and pubis. This articulation connects the axial skeleton with the lower extremity. There are two bones that make up the hip joint and create an articulation between the femur and pelvis. This type of synovial joint allows for multidirectional movement and rotation. The hip joint is classified as a ball and socket joint. Thus far, no correlation has been seen between the pincer type and development of hip osteoarthritis. Ĭurrent literature suggests that the cam type of impingement is associated with the development of hip osteoarthritis. A complicating issue is that some of the radiographic findings of FAI have also been described in asymptomatic subjects. The third is a combination of the two, generally referred to as 'mixed.' The most common type seen, approximately 70% of the time, is the mixed type. The second is due to an excess of growth of the upper lip of the acetabular cup and is known as a 'pincer' deformity. The first involves an excess of bone along the upper surface of the femoral head, known as a cam deformity (abbreviation for camshaft, which the shape of the femoral head and neck resembles). Three types of FAI are recognized (see title image). A combination of these factors may also predispose to a form of FAI predominantly, a marginal developmental hip abnormality together with environmental factors such as recurrent motion of the legs within a supraphysiologic range. Aggravating activities that are commonly reported include repetitive or prolonged squatting, twisting movements of the hip, like pivoting during athletics, getting in and out of cars, and even sitting for prolonged periods. However, there is no concrete evidence to suggest a genetic trait and instead, the most favored theory currently supports that FAI (the cam type in particular) is due to repetitive movements involving the hip ( e.g. It has also been reported to be more common in males. At least one study has also shown a predilection in the white population. ![]() Studies have shown an increased incidence in siblings, suggesting a genetic component. The cause of FAI is currently unknown, but both congenital and acquired etiologies have been put forth. In most cases, patients present with a deformity in the femoral head, or acetabulum, a poorly positioned femoral-acetabular junction, or any or all of the foregoing. Cause įAI is characterized by abnormal contact between the proximal femur and rim of the acetabulum (hip socket). Inability to perform activities such as high hip flexion or prolong sitting can also be seen in individuals with FAI. Another symptom is groin pain associated with activity and no prior history of trauma. Some will also describe decreased range of motion of the affected hip. ![]() The pain is often significant enough to cause a decrease in activity level and movement. Onset of symptoms has been reported to present in both an acute and more gradual manner. It is experienced in a number of areas, making the diagnosis challenging, but commonly occurs in the groin, upper buttock/lower back, the buttock or beneath the buttock, side of the affected hip and posterior upper leg. Pain is the most common complaint in those with FAI. Treatment options range from conservative management to surgery. The condition may be symptomatic or asymptomatic. Damage can occur to the articular cartilage, or labral cartilage (soft tissue, ring-shaped bumper of the socket), or both. ![]() It occurs when the ball shaped femoral head contacts the acetabulum abnormally or does not permit a normal range of motion in the acetabular socket. It is a common cause of hip pain and discomfort in young and middle-aged adults. Click image to see video illustration of the three types.įemoroacetabular impingement (FAI) is a condition involving one or more anatomical abnormalities of the hip joint, which is a ball and socket joint. The three recognized types of femoroacetabular impingement. Medical condition Femoroacetabular impingement ![]() ![]() The Beta builds for Premiere Pro, Premiere Rush, and Audition with native Apple M1 support can be installed directly from the Creative Cloud Desktop application. Work on native Apple M1 support for After Effects and Character Animator Apple M1 will begin in 2021. Release versions of Premiere Pro, Audition, and Premiere Rush with full native support for Apple M1 systems on macOS will be available in the first half of 2021. Please note that third party integrations have not been tested in Rosetta 2 emulation mode. An issue with Roto Brush 2 in After Effects in Rosetta 2 will be addressed in an upcoming release. While we complete the Apple M1-native versions of our applications, users can install and use the existing release versions using Rosetta 2 emulation with Apple M1 devices with macOS 11.0 (Big Sur). Running current versions in Rosetta 2 emulation mode The Spectral Frequency Editor provides a visual representation of audio and Photoshop-style tools for precision editing. Spectral Frequency real-time rendering at 16K FFT in Audition is shown above. ![]() The Audition Beta for Apple M1 hardware incorporates most of the existing audio editing features but does not yet have support for video playback, extension panels, or some third-party formats and integrations. Other improvements include real-time performance for the Spectral Frequency Editor. ![]() The Audition Beta with native Apple M1 support already shows performance gains for many audio effects. Additional format support, syncing projects between devices, and exporting to social platforms will be introduced in future Beta builds. The M1-native Premiere Rush Beta includes core editing functions, support for H.264 video, the ability to add titles and audio from Rush’s built-in libraries, and will allow users the ability to create projects and export locally on Apple M1 devices. Limitations for the initial Premiere Pro Beta on Apple M1 hardware include third party integrations, such as Transmit reference monitoring hardware, plugins, extension panels, and control surfaces Premiere Rush Beta for Apple M1 We recommend creating a copy of current projects for Beta testing to avoid compatibility issues for any ongoing production work. Users should note that the Premiere Pro Beta for Apple M1 incorporates the latest builds of our new captions workflow, which requires a project file format upgrade. In this case, speed gains are also reflected in the current release version of Premiere Pro using Rosetta 2 emulation mode. We will continue to optimize native M1 performance during the public Beta.Īdobe Sensei features, like Scene Edit Detection, will see performance boosts, thanks to dedicated machine learning support in the Apple M1 chipset. This graph compares export times for the current high-end 16” Intel MacBook Pro, the current 13” Intel MacBook Pro, and the new 13” Apple M1 MacBook Pro. This allows us to validate performance for specific parts of the application before we add new components. Since Premiere Pro is built on a large codebase with support for a wide range of media and functions, we are taking a phased approach as we build out native Apple M1 support. The M1-native Premiere Pro Beta includes the core editing functions and support for the most widely used codecs: H.264, HEVC, and ProRes. promotions/big-rock-assets/state-of-creativity-report Premiere Pro Beta for Apple M1 ![]() For example, an orifice plate produces a pressure drop that is a function of the square of the volume rate of flow through the orifice. In oceanography a common unit to measure volume transport (volume of water transported by a current for example) is a sverdrup (Sv) equivalent to 10 6 m 3/s.Ī primary flow element is a device inserted into the flowing fluid that produces a physical property that can be accurately related to flow. or imperial) per minute, liters per second, bushels per minute or, when describing river flows, cumecs (cubic meters per second) or acre-feet per day. Gas mass flow rate can be directly measured, independent of pressure and temperature effects, with ultrasonic flow meters, thermal mass flowmeters, Coriolis mass flowmeters, or mass flow controllers.įor liquids, various units are used depending upon the application and industry, but might include gallons (U.S. References will be made to "actual" flow rate through a meter and "standard" or "base" flow rate through a meter with units such as acm/h (actual cubic meters per hour), sm 3/sec (standard cubic meters per second), kscm/h (thousand standard cubic meters per hour), LFM (linear feet per minute), or MMSCFD (million standard cubic feet per day). A volume of gas under one set of pressure and temperature conditions is not equivalent to the same gas under different conditions. Gases are compressible and change volume when placed under pressure, are heated or are cooled. In engineering contexts, the volumetric flow rate is usually given the symbol Q. Energy flow rate is usually derived from mass or volumetric flow rate by the use of a flow computer. The energy flow rate is the volumetric flow rate multiplied by the energy content per unit volume or mass flow rate multiplied by the energy content per unit mass. When gases or liquids are transferred for their energy content, as in the sale of natural gas, the flow rate may also be expressed in terms of energy flow, such as gigajoule per hour or BTU per day. ![]() This is not the case for gases, the densities of which depend greatly upon pressure, temperature and to a lesser extent, composition. The density of a liquid is almost independent of conditions. These measurements are related by the material's density. For very large flows, tracer methods may be used to deduce the flow rate from the change in concentration of a dye or radioisotope.īoth gas and liquid flow can be measured in physical quantities of kind volumetric or mass flow rates, with units such as liters per second or kilograms per second, respectively. ![]() ![]() Flow may be measured by measuring the velocity of fluid over a known area.
![]() While seeking vengeance against those who have forsaken you, embark on an immersive journey as our spirit-imbued hero through the five shattered realms, and become known as the most notorious Bounty Hunter of them all. Now, things are different.Įmbark on a journey through 5 realms and countless dungeons The legendary Dungeon Hunter series returns with a vengeance! Play the most intense and immersive hack 'n' slash game ever on mobile!Īfter stopping the demon invasion in the Kingdom of Valenthia, the world remains shattered, crumbling at its very core – destruction and desolation seeping from its wounds – but even when we try to rebuild, things never go back to how they once were. Join forces with millions of Bounty Hunters online for the most intense hack-and-slash adventure yet! Is it just me or does a disproportionate amount of games these days go with the glowing exclamation mark/question mark thing.This game allows multiplayer play and is not subject to Xbox Live Family Settings. People show that they have quests by way of a glowing exclamation mark’s above their head.“I wish that games would think of other ways to show people have quests. In the tutorial a talking parrot tells you all about that stuff, you fight off a few goblins, a few goop-shooting bats and a giant purple octopus, nothing to strenuous.Then you hit dry land and are directed to go to a village, well a few houses with some trainers, shops and few stereotypical NPC’s hanging around. Special attacks are performed by clicking on the action bar or pressing the required shortcut key. W,A,S,D cause your character to jump, run left, drop a level, run right respectively, while left mouse button uses your basic attack. ![]() A brief introduction to the game and the controls, and the controls for Dungeon Blitz are easy. Which wasn’t a ball-ache, I just needed to enter a login name and password.įuture visits to the site seem to remember those details I’ve never had to login again anyway.As with all games these days, the first part of the game is the tutorial. The rest of the character creation is rather basic, you have a few different hairstyles and faces you’re able to change the colour of a few things, but the characters remain very similar to each other, although there is enough different between the classes to compensate for most of that.Once you have created your character, in my case a mage, you are asked to create your account. As soon as you access the site you’re straight into character creation and asked to choose your class out of the three available (Paladin, Rogue or Mage). There isn’t a lengthy login or account creation process to go through. My gaming time is becoming more scarce and much more precious, so is it good enough to make me want to find some time for it?Dungeon Blitz is an internet browser game, there’s nothing to download at all and it’s very easy to start playing. ![]() This post, in fact, but it would be rather amiss of me if I didn’t play it and let you know what I think about it, which is exactly what I did. I was asked to let you all know that Blue Mammoth have released a browser-based MMO called Dungeon Blitz. To use custom sound more easily, config instruments.xml to create a custom instrument in the "Choose Instruments" menu. Pick and add an instrument that use a staff style similar to one your sound would use, then change its sound in the Mixer. Once a SoundFont has been installed on your system, it also needs to be loaded into the Synthesizer. Setup Musescore to use a custom SoundFont or SFZ ![]() To uninstall an SFZ, simply open the folder where its files are installed (see above) and delete them all. If the SFZ zip file you download has a Libs folder in it, move it into the main SFZ sub-directory. Note, however, that on occasion, an SFZ file in its folder may seek the actual WAV sound files inside the SFZ sub-directory itself, usually in a folder labeled "Libs". Leave the sub-directories and their contents as they are. Install an SFZĪfter downloading an SFZ (see → below), you need to manually extract all the files that belong to the SFZ (the SFZ file(s) and all the sub-directories and other files) into the directory listed above. SFZĪn SFZ is a collection of files and directories, an SFZ file and a bunch of actual sound files in WAV or FLAC format, with the SFZ file being a text file that basically describes what sound file is located where and to be used for what instrument and pitch range. To uninstall a SoundFont, simply open the folder where its file is installed and delete it. Linux (Ubuntu): /usr/share/mscore-xxx/sounds/MuseScore_General.sf3 (with xxx being the MuseScore version)Īfter it is installed, setup Musescore and then use it on a score Uninstall.macOS: /Applications/MuseScore 3.app/Contents/Resources/sound/MuseScore_General.sf3.Windows 圆4 (64-bit) / MuseScore x86_64: %ProgramFiles%\MuseScore 3\sound\MuseScore_General.sf3.Windows 圆4 (64-bit) / MuseScore x86: %ProgramFiles(x86)%\MuseScore 3\sound\MuseScore_General.sf3.Windows x86 (32-bit) / MuseScore x86: %ProgramFiles%\MuseScore 3\sound\MuseScore_General.sf3.This directory and its default SoundFont file is: In contrast to user-added SoundFonts, the initial default SoundFont installed with MuseScore is located in a system directory, meant only for that purpose, which should not be modified. macOS and Linux: ~/Documents/MuseScore3/Soundfonts.Windows: %HOMEPATH%\Documents\MuseScore3\Soundfonts.This directory can be viewed or changed in MuseScore's Preferences, but the default location is: In either case, when the dialog appears asking if you want to install the SoundFont, click "Yes" to place a copy of the SoundFont file in MuseScore's SoundFonts directory. Occasionally an application other than MuseScore will be associated with the SoundFont file type if this is the case, you will need to right-click or Ctrl-click on the file, so as to display a menu from which you can choose to open the file in MuseScore. In most cases, the SoundFont file type will already be associated with MuseScore, and MuseScore will start and a dialog will appear asking if you want to install the SoundFont. Install a SoundFontĪfter finding and decompressing a SoundFont (see → below), double-click to open it. MuseScore comes with MuseScore_General.sf3, it contains over 128 instruments, sound effects and various drum/percussion kits, its program / preset numbering follows GM ( General MIDI) convention. SFZ (.sfz): A set of audio and definition files containing one or more virtual instruments.SoundFont (.sf2/.sf3): A single file containing one or more virtual instruments.OverviewĪudio playback is created by Synthesizer using virtual instruments, MuseScore supports virtual instruments in two formats: Jump to a curated list of free soundfonts downloadable, feel free to add to the list. To export a MIDI or audio file, visit Open/Save/Export/Print. MuseSounds: free high quality proprietary sounds from MuseGroup, installable thru MuseHub.VST, VSTi: supported VST3, some VSTs are reported not working properly. ![]() SFZ (.sfz): supported indirectly through 3rd party VST.Cannot select preset/bank in the mixer directly (yet). ![]() SoundFont (.sf2/.sf3): supported directly, no need to click load in the synthesizer anymore.MuseScore 4.0's Sound and playback support: ![]() ![]() The media session then delegates theseĬommands to the app that applies them to the media player for which it is Instructing "pause" to Google Assistant). These sources can be physical buttons (such as the playīutton on a headset or TV remote control) or indirect commands (such as ![]() ![]() Integrating with the media session allowsĪn app to advertise media playback externally and to receive playback commandsįrom external sources. By informing Android that media is playing in an app, playbackĬontrols can be delegated to the app. dex BytecodeĢ.6.9 Software Versioning Using Local or Remote RepositoriesĢ.6.9.2 Integrating with GitHub or BitbucketĢ.7.4 Native Libraries and Android RuntimeĬhapter 3: Your First Android Applicationģ.2.4.1 Activity Constructors and Methodsģ.2.8 Opening Android Project in Android Studioģ.3.2.1 Adding an EditText Field to the Layout Fileģ.3.2.3 Adding Components to the Layout Fileģ.3.7.1 Intent-Filter and Launcher Screenģ.3.9 Receiving Messages/Data from an Activityģ.3.10 Responding to the Messages from an Activityģ.5.1 Create a Resource File for Second Languageģ.5.2 Create Resource Entries for Languages SupportedĬhapter 4: Debugging and Testing Using Junit, Espresso, and Mockito FrameworksĤ.2.3 Inspecting and Modifying Variable ValuesĬhapter 5: Activity Lifecycle and Passing Objects Between Screens Using Parcelable Interfaceĥ.2.5.2 Bundle Object and Activity Statesĥ.3.3 Stopping and Restarting an Activityĥ.4.2 Callback Methods for the MainActivityĥ.4.3 Callback Methods for the DisplayMessageActivityĥ.5 Creating and Using Parcelable Objectsĥ.5.1 Passing User-Defined Objects Between Activitiesĥ.5.3.1 Implement the Parcelable Interfaceĥ.5.3.2 Declaring the Parcelable.Creator Interface Fieldĥ.5.3.3 Implementing the describeContents Methodĥ.5.3.4 Implementing the writeToParcel Methodĥ.5.3.5 CREATOR Interface Constructs a Parcelable Objectĥ.5.3.6 Passing a Parcelable Object to Second Activityĥ.5.3.7 Receiving a Parcelable Object from an Activityĥ.5.3.8 Logging Callback Method InvocationĬhapter 6: User Interface Essential Classes, Layouts, Styles, Themes, and DimensionsĦ.Media sessions provide a universal way of interacting with an audio or video All the apps in the book are native Android apps and do not need to use or include third-party technologies to run.Īdditional Resources for Users and Instructorsġ.3 Object-Oriented Programming Concepts in Javaġ.3.13.2 A Generic Version of the Material Classġ.3.14.1 Calling and Instantiating a Generic Typeġ.3.18.5 Example of Serializing an Objectġ.3.18.6 Example of Deserializing an ObjectĢ.2.7 Model View Controller and App DevelopmentĢ.3 Download and Install Android Studio and Android SDKĢ.5.2 Running the Android App in Android StudioĢ.6 Compiling, Building, and Packaging TechnologiesĢ.6.1.3 Turning. It is written for students and programmers who have no prior Android programming knowledge as well as those who already have some Android programming skills and are excited to study more advanced concepts or acquire a deeper knowledge and understanding of Android programming. It uses code samples and exercises extensively to explain and clarify Android coding and concepts. The book is intended for introductory or advanced Android courses to be taught in one or two semesters at universities and colleges. The topics covered include activities and transitions between activities, Android user interfaces and widgets, activity layouts, Android debugging and testing, fragments, shared preferences, SQLite and firebase databases, XML and JSON processing, the content provider, services, message broadcasting, async task and threading, the media player, sensors, Android Google maps, etc. It follows Java and Object-Oriented (OO) programmers’ experiences and expectations and thus enables them to easily map Android concepts to familiar ones.Įach chapter of the book is dedicated to one or more Android development topics and has one or more illustrating apps. This textbook is about learning Android and developing native apps using the Java programming language. |